1995-08-29T23:59:59Z
2022-01-19T05:04:28Z
Le malléable et sa pétrification : essai poi͏̈étique sur une pratique sculpturale
1995
1995-01-01
Le malleable et sa petrification modeleur, dans le malleable, je reve de donner la vie mais tout ce que je touche se petrifie. La pate, lorsque mes mains etaient dedans, semblait vivre, respirer, elle etait mouvement, maintenant qu'elles n'y sont plus, elle se fige, elle me semble morte. Je regarde l'oeuvre dans sa fixite. Voici la question qui me hante, la petrification est-elle une mort ? pour tenter de repondre, j'explore successivement trois regions. La premiere est celle des sources de la creation, celle de l'enfance et de la malleabilite du moi en formation. La seconde est celle de l'atelier, de mon rapport au malleable jusqu'au proces de petrification. Enfin, la troisieme est celle de la sortie de l'atelier, l'oeuvre accomplie est livree au monde. La conduite creatrice apparait comme fermete active donnant son axe au malleable materiel et spirituel.
As a modeller, within the malleable, i dream of giving life, but all i touch becomes petrified. When my hands were inside the paste, it seemed to live, to breathe, it was in motion, now they are outside, it freezes, it seems dead. I look at a fixed work. Here is the question which obsessed me. Is petrification death ? in order to answer this. I have explored three areas successively. The springs of creativity, those of childhood and of the malleability in my developping self. The workshop, my relationship with the malleable until its petrification. Finally, the exit from the workshop, when the finished work is delivered to the world. The creative behaviour becomes active firmness directing the sensual and spiritual malleable.
Sculpture -- Technique
Pas le Merse, Jean-Marc de
Passeron, René
Paris 1