L'opéra de la personne : le sujet, la voix et l'histoire dans l'oeuvre poétique d'Aragon, de Les Yeux et la mémoire (1954) à Les Poètes (1960)
FR |
EN
Auteur / Autrice : | Olivier Barbarant |
Direction : | Marie-Claire Dumas |
Type : | Thèse de doctorat |
Discipline(s) : | Sciences des textes et des documents |
Date : | Soutenance en 1994 |
Etablissement(s) : | Paris 7 |
Mots clés
FR
Résumé
FR |
EN
The aim of this thesis is the study of aragon's poetry facing the french history of the 50ies. His writing work consisted in the invention of personal "tone" able to favorise diction of history and political desastre. In front of the caricature of aragon's poetry, this thesis would prouves that the invention of a new poetic system favorise the political, ideological and perhaps sexual independance of the subject. The poetical "authenticity" depends of the capacity to realise lyrism when, in the same time, lyrism is criticise by the process of scription.