Thèse soutenue

L'opéra de la personne : le sujet, la voix et l'histoire dans l'oeuvre poétique d'Aragon, de Les Yeux et la mémoire (1954) à Les Poètes (1960)
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Accès à la thèse
Auteur / Autrice : Olivier Barbarant
Direction : Marie-Claire Dumas
Type : Thèse de doctorat
Discipline(s) : Sciences des textes et des documents
Date : Soutenance en 1994
Etablissement(s) : Paris 7

Mots clés

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Résumé

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The aim of this thesis is the study of aragon's poetry facing the french history of the 50ies. His writing work consisted in the invention of personal "tone" able to favorise diction of history and political desastre. In front of the caricature of aragon's poetry, this thesis would prouves that the invention of a new poetic system favorise the political, ideological and perhaps sexual independance of the subject. The poetical "authenticity" depends of the capacity to realise lyrism when, in the same time, lyrism is criticise by the process of scription.