Thèse soutenue

Le temps dans le théâtre d'Henry Bernstein
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Accès à la thèse
Auteur / Autrice : Jeen Youn
Direction : Michel Corvin
Type : Thèse de doctorat
Discipline(s) : Études théâtrales
Date : Soutenance en 1994
Etablissement(s) : Paris 3

Mots clés

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Mots clés contrôlés

Résumé

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THE OBJECT OF OUR research IS TO RECONSTRUCT THE INNER COHERENCE OF HENRY BERNSTEIN'S PLAYS THROUGHAN ANALYSIS OF THEIR TEMPORAL STRUCTURE. AT FIRST, IN HIS EARLY PLAYS, SOCALLED "TRAGEDIES BOURGEOIS", IN WHICH THE AUTHOR DESCRIBES MOSTLY THE BRIEF AND VIOLENT CRISIS OF THE PERSONS, WE COULD HOLD AN INTERSECTION OF TWO TEMPORALITIES COMPLEMENTARY CONFIGURATED BY THE NARRATION: ONE, TOWARDS THE IMMINENT CRISIS, THE OTHER, TOWARDS THE PROFOUND SOUVENIR. AND THEN, IN THE PLAYS OF THE "NOUVELLE MANIERE", WE CAN SEE THAT THE TEMPORAL DEPTH, ASSOCIATED WITH THE EYES CAST IN THE DIRECTION OF PERSON'S INTERIORITY, PRODUCES ANOTHER TEMPORALITY CHARACTERIZED BY THE STATIC OF THE ITERATIVE MOMENTS. WE HAVE RECOSTRUCTED THE FICTIOUS TEMPORAL EXPERIENCES CONFIGURATED IN THE TEXT AROUND TWO AXIS: THE GERM-EVENTS (EVENEMENTS-GERMES) WHICH WORK AS "SOUVENIR-ECRAN" AND THE MOREOVER-EVENTS (EVENEMENT D'AILLEURS) WORKING AS HIDDEN SPACE OF THE INTERIORITY PUT IN THE PARENTHESES. SEEING THAT THE READERS' FICTIOUS TEMPORAL EXPERIENCE IS DUE TO THE NARRATIVE CONFIGURATION OF THE TEXT, WE ARE TO ANCHOR THE ANALYSIS IN THE NARRATION FORM REGARDED AS THE SIGNIFIANT FORME. REFUSING TO BE ENCLOSED IN THE RIGOROUS STRUCTURALISM, WE WILL TRY TO BRING THE IMMANENT TIME OF THE TEXT INTO THE TRANSCENDENT TIME POF THE EXTRA-TEXT. THAT WOULD BE AT LAST THE RIFUGURATED TIME IN HENRY BERNSTEIN'S DRAMA.