La critique litteraire venezuelienne des annees 1960-1970

Modern literary criticism in venezuela from 1960 to 1970

• Auteur / Autrice : Jorge Romero Leon
• Direction : Claude Fell
• Type : Thèse de doctorat
• Discipline(s) : ET. LATINO-AMERICAINES
• Date : Soutenance en 1988
• Etablissement(s) : Paris 3

Résumé

La critique litteraire venezuelienne moderne est nee en 1900. Il y a trois tendances: le positivisme (gonzalo picon febres), le modernisme (jesus semprum) et le trascendantalisme (mariano picon salas, arturo uslar pietri, andres marino palacio; posterieurment, juan liscano, guillermo meneses, uscar sambrano urdaneta). A partir de 1960 nous trouverons trois autres tendances influencees fortement par la pensee philophique francaise de l'apres guerre: la perspective existentialiste (orlando araujo, ludivico silva, guillent perez, luis garcia morales), la perspective sociale (gustavo luis carrera, domingo miliani, oswaldo larrazabal) et la perspective immanente (jose balza, guillermo sucre). Les sujets de reflexion de la premiere sont: la liberte et l'engagement, la trascendance et l'histoire. Les sujets abordes par la deuxieme sont: la litterature comme representation de la societe, comme force revolutionnaire et comme expression ideologique des differentes classes sociales. Les sujets de reflexion de la troisieme sont: l'immanence du texte litteraire, la poetique, la critique comme creation et vice-versa.

Modern literary criticism in venezuela dates from 1900. There are three main tendencies in this period: positivism (gonzalo picon febres) modernism (jesus semprum) and trascendentalism (mariano picon salas, arturo uslar pietri, andres marino palacio. Later guillermo meneses, juan liscano, uscar sambrano urdaneta). In 1960 there were three other tendencies which were influenced mainly by the philosophical reflexion in france after the second waorld war. They are: existentialism (urlan do araujo, ludovico silva, guillent perez, luis garcia morales), the sociology of literature (gustavo luis carrera, domingo miliani, oswaldo larrazabal) and immanentism (jose balza, guillermo sucre). The subjects of thr first one are: liberty and engagement, trascendence and history; and those of the second one: literature as representation of society and as a revolutionary force, literature as an ideological expression of social classes. The third one deals with: the immanence of the text, poetics, and the criticism as creation and vice-versa.